Thomas Struth, “Audience 3 (Gallerie Dell’Accademia), Florenz” (2004), photograph, c-print on plexiglass. Courtesy of the Marian Goodman Gallery.
Svea Bräunert: "Specters of Terrorism: Media Theory and Cultural History in West Germany" Mar 2, 2016 | 12:00PM
Martin Blumenthal-Barby: "'Uncalculated Beauty': Harun Farocki’s Theory of Surveillance Imagery" Feb 17, 2016 | 10:00AM
Hannah V. Eldridge: "Scientistic vs. Critical Prosody: Some Promises and Pitfalls" Jan 14, 2016 | 4:30PM
The Idealism Project: Self-Determining Form and the Autonomy of the Humanities Oct 29, 2015 | 12:00PM
Tamar Abramov: "On the Sovereign’s 'Personal Element': Kelsen, Schmitt, Brecht" Oct 22, 2015 | 4:30PM
Michael Levine: "Speaking in Starts: Nachträglichkeit in Freud, Yerushalmi and Derrida" Sep 30, 2015 | 4:30PM
Joela Jacobs: "Evidence of Teaching Effectiveness in German Studies: Using an Online Portfolio on the Academic Job Market" May 21, 2015 | 4:30PM
